{"id":2964,"date":"2025-05-28T13:17:09","date_gmt":"2025-05-28T13:17:09","guid":{"rendered":"https:\/\/alevato.xyz\/?p=2964"},"modified":"2025-08-15T18:15:27","modified_gmt":"2025-08-15T18:15:27","slug":"heritage-in-virtual-reality","status":"publish","type":"post","link":"https:\/\/alevato.xyz\/portugues\/heritage-in-virtual-reality\/","title":{"rendered":"Patrim\u00f4nio em Realidade Virtual"},"content":{"rendered":"
\"\"
Virtual environment that reproduces the structure of the Cagarras Islands,
on the coast of Rio de Janeiro.<\/figcaption><\/figure>\n\n\n\n

Relatamos aqui parte das atividades desenvolvidas pela equipe de pesquisadores do Laborat\u00f3rio de Processamento de Imagem Digital (LAPID) com o objetivo de proporcionar a difus\u00e3o atrav\u00e9s do metaverso das atividades de ensino e pesquisa desenvolvidas com o acervo cient\u00edfico-cultural do Museu Nacional\/UFRJ. Essas atividades est\u00e3o diretamente relacionadas \u00e0 vincula\u00e7\u00e3o do LAPID ao Projeto Space-XR: Pesquisa em Metaversos Compartilhados, que envolve, ainda, o Laborat\u00f3rio Biodesign vinculado \u00e0 PUC-Rio, al\u00e9m do Visgraf, Instituto de Matem\u00e1tica Pura e Aplicada-IMPA\/MCTI. Nesse projeto o LAPID atuou na coordena\u00e7\u00e3o da linha denominada Patrim\u00f4nio Cient\u00edfico-Cultural.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

As atividades desenvolvidas nessa linha tiveram in\u00edcio com a escolha dos dispositivos de media\u00e7\u00e3o e da plataforma de disponibiliza\u00e7\u00e3o dos dados. Optamos pelos \u00f3culos de Realidade Virtual Quest 2 devido, principalmente, \u00e0 praticidade de uso do equipamento, pois esse modelo (ao contr\u00e1rio de outros dispositivos anteriormente testados) n\u00e3o precisava de conex\u00e3o f\u00edsica atrav\u00e9s de cabos com fontes de dados (desktop) ou energia (alimenta\u00e7\u00e3o externa). O Quest 2, al\u00e9m de custo mais acess\u00edvel, \u00e9 relativamente pequeno, leve e razoavelmente confort\u00e1vel, adaptando-se adequadamente ao uso f\u00edsico, especialmente quando comparado aos similares dispon\u00edveis (Obs: como todo dispositivo de avan\u00e7o tecnol\u00f3gico, os \u00f3culos de realidade virtual encontram-se em franco desenvolvimento e alternativas est\u00e3o surgindo constantemente, como o recente lan\u00e7amento do Quest 3, Quest Pro e outros dispositivos de intermedia\u00e7\u00e3o).<\/p>\n\n\n\n

Concomitantemente, em colabora\u00e7\u00e3o com os colegas do Projeto Space-XR (https:\/\/space-xr.com\/), passamos a analisar as poss\u00edveis plataformas virtuais (VELHO et al., 2022). Assim, em fun\u00e7\u00e3o de suas particularidades, a plataforma inicialmente escolhida foi a Spatial (Spatial.io) .
<\/p>\n\n\n\n

Espa\u00e7os virtuais<\/h2>\n\n\n\n

Nosso primeiro contato com essa realidade (virtual) se deu atrav\u00e9s do espa\u00e7o denominado XR Showcase e seu paralelo XR Meeting Point, ambos na plataforma Spatial, onde, semanalmente, realizamos nossas reuni\u00f5es do projeto Space-XR, fonte inesgot\u00e1vel de troca de experi\u00eancias e informa\u00e7\u00f5es. O passo seguinte foi a inclus\u00e3o de nossos arquivos digitais (tratados em aplicativos como Photoshop, ZBrush, Blender, etc...) em modelos (templates) disponibilizados pela plataforma Spatial e, posteriormente, a customiza\u00e7\u00e3o de nossos pr\u00f3prios espa\u00e7os.<\/p>\n\n\n\n

A seguir, passamos a apresentar os principais espa\u00e7os criados dentro dessa iniciativa, sempre com a colabora\u00e7\u00e3o e sugest\u00f5es dos colegas do Space-XR:
<\/p>\n\n\n\n

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Lapid Meeting Room: montado no template Boardroom do Spatial e seguindo a linha do XR Meeting Point, esse espa\u00e7o foi criado para reunir a equipe de Laborat\u00f3rio de Processamento de Imagem Digital (LAPID) em suas reuni\u00f5es de trabalho em ambiente virtual em decorr\u00eancia das limita\u00e7\u00f5es de mobilidade impostas pela pandemia de Covid19. O ambiente foi posteriormente realocado em fun\u00e7\u00e3o de restri\u00e7\u00f5es impostas pela Plataforma Spatial, passando a se chamar Lapid Meeting Room 2.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

LAPID Park<\/strong>: Modelled on a customised environment, this space is designed to showcase LAPID\u2019s many areas of activity, particularly in the fields of Palaeontology, Geology, Archaeology, Egyptology, Meteoritics, Zoology, Ecology, Art, Dance, and more. It serves as a showroom for activities already carried out and as a point of departure and access to all other spaces created by the laboratory. The space is divided into several modules, each with a theme, in addition to a central module where visitors can learn more about LAPID. Visitors can enter a cave to explore the palaeontology and geology pavilion or board a capsule that takes them on a journey through the sky to space, where the astronomy pavilion is located. The pavilions and their layout are based on the octahedron shape of the Laboratory\u2019s logo.<\/p>\n\n\n\n

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Acessar metaverso<\/a><\/div>\n<\/div>\n\n\n\n
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Quaternary Megafauna:<\/strong> Montado em template Outdoors do Spatial, esse espa\u00e7o tem por objetivo apresentar modelos tridimensionais da megafauna brasileira al\u00e9m de diversas informa\u00e7\u00f5es de cunho paleontol\u00f3gico sobre esses f\u00f3sseis.<\/p>\n\n\n\n

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Acessar metaverso<\/a><\/div>\n<\/div>\n\n\n\n
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Tartaruguito<\/strong>: This space is modelled in an environment that reproduces the three-dimensional digitization of the fossil outcrop known as Tartaruguito, located in Pirapozinho (S\u00e3o Paulo).Visitors can virtually walk around the outcrop, accompanied by images showing the work of palaeontologists from the National Museum on the site.<\/p>\n\n\n\n

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Acessar metaverso<\/a><\/div>\n<\/div>\n\n\n\n
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Grillo\u2019s Memories and Works: <\/strong>Desenvolvido no template\nObsidian Gallery do Spatial,\nesse espa\u00e7o apresenta um\nresumo dos projetos nos quais\no pesquisador Orlando Grillo\nparticipou, entre eles projetos\nde Paleontologia, Geologia\ne Meteor\u00edtica, bem como\nresultados de sua linha de\npesquisa em biomec\u00e2nica e\ntrabalhos de digitaliza\u00e7\u00e3o 3D\nde grandes estruturas naturais\ncomo o Monumento Natural\ndas Ilhas Cagarras e o cost\u00e3o\nrochoso de Arraial do Cabo.<\/p>\n\n\n\n

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Acessar metaverso<\/a><\/div>\n<\/div>\n\n\n\n
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Lobo\u2019s Gallery: <\/strong>Developed using Spatial\u2019s Isle Gallery template, this space presents a summary of the projects developed by researcher Leonardo Lobo, covering aspects mainly related to paleomastozoology.<\/p>\n\n\n\n

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Acessar metaverso<\/a><\/div>\n<\/div>\n\n\n\n
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LAPIDVR Gallery:<\/strong> Em mais uma tentativa de customizar um ambiente, agora em desenho arquitet\u00f4nico in\u00e9dito, o espa\u00e7o apresenta duas exposi\u00e7\u00f5es intimamente correlacionadas. A primeira, ocupando o anel externo da sala, \u00e9 intitulada \u201cNa Alegria e na Tristeza\u201d e apresenta imagens e v\u00eddeos obtidos por Sergio Azevedo e sua esposa e companheira de vida, Luciana Carvalho durante o trabalho conjunto na Equipe de Resgate de Acervos do Museu Nacional. A segunda mostra, disponibilizada no sal\u00e3o central da galeria, \u00e9 intitulada \u201cM\u00e3os do Resgate\u201d e apresenta, atrav\u00e9s de fotografias de Marcos Gusm\u00e3o, Sergio Azevedo e Luciana Carvalho, as m\u00e3os dos membros da equipe de Resgate de Acervos no seu \u00e1rduo trabalho de resgatar as pe\u00e7as ap\u00f3s o inc\u00eandio. A galeria \u00e9 apresentada em ambiente (skybox) que retrata a Quinta da Boa Vista, no bairro Imperial de S\u00e3o Crist\u00f3v\u00e3o - RJ, local onde o Pal\u00e1cio Imperial, sede principal do Museu Nacional, est\u00e1 localizado.<\/p>\n\n\n\n

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Acessar metaverso<\/a><\/div>\n<\/div>\n\n\n\n
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Rescue Exhibition – Marcos Gusm\u00e3o:<\/strong> Montado em template Aeries Gallery do Spatial e desenvolvido com o objetivo de apresentar imagens do fot\u00f3grafo Marcos Gusm\u00e3o obtidas no acompanhamento dos trabalhos da Equipe de Resgate de Acervos do Museu Nacional\/UFRJ ap\u00f3s o tr\u00e1gico inc\u00eandio de setembro de 2018.<\/p>\n\n\n\n

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Acessar metaverso<\/a><\/div>\n<\/div>\n\n\n\n
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Formatae ignem:<\/strong> Montado no template Isle Gallery do Spatial: esse espa\u00e7o constitui uma mostra que mescla arte e mem\u00f3ria ao apresentar formas geradas pela a\u00e7\u00e3o do fogo durante o inc\u00eandio que atingiu o Museu Nacional em setembro de 2018. As pe\u00e7as constitu\u00eddas por metal, vidro, madeira, pl\u00e1stico, etc., foram coletadas durante o trabalho da Equipe de Resgate de Acervos do Museu Nacional. A montagem dessa exposi\u00e7\u00e3o teve para os organizadores forte impacto psicol\u00f3gico no sentido de resgatar e reinterpretar formas de um ambiente t\u00e3o caro, onde convivemos durante mais de 30 anos, impedindo, assim, que tudo fosse acabar nos dep\u00f3sitos de lixo.<\/p>\n\n\n\n

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Acessar metaverso<\/a><\/div>\n<\/div>\n\n\n\n
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Conservation Center:<\/strong> Modelado em ambiente customizado, o espa\u00e7o apresenta distintas etapas de recupera\u00e7\u00e3o de pe\u00e7as do acervo cient\u00edfico e arquitet\u00f4nico do Pal\u00e1cio de S\u00e3o Crist\u00f3v\u00e3o ap\u00f3s o inc\u00eandio.<\/p>\n\n\n\n

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Acessar metaverso<\/a><\/div>\n<\/div>\n\n\n\n
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Museum of Ashes Space – Vik Muniz: <\/strong>A primeira experi\u00eancia em modelar um ambiente pr\u00f3prio customizado em colabora\u00e7\u00e3o com o Vik Muniz Studios. O espa\u00e7o apresenta em realidade virtual a exposi\u00e7\u00e3o Museum of Ashes do artista pl\u00e1stico Vik Muniz, fisicamente montada em 2019 na Sikkema Art Gallery, em New York, exibindo obras de arte elaboradas pelo artista com detritos resgatados dos escombros do inc\u00eandio do Museu Nacional.\nArqueoverso - Quinta da<\/p>\n\n\n\n

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Acessar metaverso<\/a><\/div>\n<\/div>\n\n\n\n
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Archeoverse – Quinta da Boa Vista:<\/strong> Modelado em ambiente customizado, o espa\u00e7o permite uma visita \u00e0s escava\u00e7\u00f5es arqueol\u00f3gicas realizadas durante o processo de recupera\u00e7\u00e3o do Pal\u00e1cio de S\u00e3o Crist\u00f3v\u00e3o ap\u00f3s o inc\u00eandio.<\/p>\n\n\n\n

<\/div>\n\n\n\n
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Lapa da Zilda em Carrancas-MG: <\/strong>Assembled using Spatial\u2019s Outdoors template, this room aims to provide visitors with a tour of the archaeological site of Lapa da Zilda in the municipality of Carrancas, MG, featuring its caves and cave paintings.<\/p>\n\n\n\n

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Acessar metaverso<\/a><\/div>\n<\/div>\n\n\n\n
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Infinite Space:<\/strong> Elaborado em ambiente customizado que remete a uma viagem futurista ao espa\u00e7o, os visitantes caminham por uma ponte de vidro em formato de loop infinito, rodeados de modelos tridimensionais animados de itens da cole\u00e7\u00e3o de meteoritos do Museu Nacional. H\u00e1 ainda uma galeria em forma de plataforma espacial futurista onde s\u00e3o apresentados os pain\u00e9is da exposi\u00e7\u00e3o \u201cMeteoritos, da G\u00eanese ao Apocalipse\u201d, que foi inaugurada no Museu Nacional em 2015.<\/p>\n\n\n\n

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Acessar metaverso<\/a><\/div>\n<\/div>\n\n\n\n
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<\/p>\n\n\n\n

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Rio Islands – MoNa Cagarras: <\/strong>Developed in a custom environment that reproduces the structure of the Cagarras Islands off the coast of Rio de Janeiro (created through photogrammetric scanning of the islands), this space was developed in collaboration with the \u201cIlhas do Rio\u201d (Rio Islands) project team. It presents aspects of the archipelago\u2019s fauna, including underwater fauna. Visitors can climb the islands, \u201cswim\u201d with fish and turtles, and \u201csail\u201d in boats.<\/p>\n\n\n\n

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Acessar metaverso<\/a><\/div>\n<\/div>\n\n\n\n
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Dance Space: <\/strong>Created using the Spatial\u2019s Isle Gallery template and originally developed for presentation at the 22+100 LABAN Meeting and the Modernist Project in June 2022, this space uses images, videos, and photographs of the works of Rudolf Laban, Irmgard Bartenieff, and Helenita S\u00e1 Earp, exponents of the art of dance and movement. Additionally, three-dimensional models of the platonic solids used by Laban in his scales and a dancing avatar (product of the joint work of Bernardo Alevato and Taianne Lobo), inside the octahedron solid were included.<\/p>\n\n\n\n

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Acessar metaverso<\/a><\/div>\n<\/div>\n\n\n\n
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Indian Room: <\/strong>Modelado em ambiente customizado, o espa\u00e7o constitui atividade paralela ao programa de doutoramento de Thaisa Martins e se destina a apresentar aspectos relacionados \u00e0 estrutura arquitet\u00f4nica de um templo indiano. O espa\u00e7o se encontra em elabora\u00e7\u00e3o e ser\u00e3o apresentados modelos representando diferentes caracter\u00edsticas relacionadas \u00e0s oito dan\u00e7as cl\u00e1ssicas indianas.\nMusasMN: mo<\/p>\n\n\n\n

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Acessar metaverso<\/a><\/div>\n<\/div>\n\n\n\n
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MusasMN:<\/strong> Assembled in Spatial\u2019s Outdoors template, this space aims to present the three-dimensional models of the statues restored after the 2018 fire that decorate the top of the front facade of the \u201cPal\u00e1cio de S\u00e3o Crist\u00f3v\u00e3o\u201d, the headquarters of the Museu Nacional\/UFRJ.<\/p>\n\n\n\n

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Acessar metaverso<\/a><\/div>\n<\/div>\n\n\n\n
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Arqueoverso – Greek Ceramic Experience: <\/strong>Modelado em ambiente customizado, o espa\u00e7o foi desenvolvido objetivando apresentar material did\u00e1tico de modo a permitir a familiariza\u00e7\u00e3o dos visitantes aos processos de cria\u00e7\u00e3o dos distintos utens\u00edlios em cer\u00e2mica desenvolvidos pela cultura grega. A sala serviu de apoio \u00e0s aulas da disciplina \u201cAn\u00e1lise Iconogr\u00e1fica Grega Antiga\u201d do Curso de Hist\u00f3ria da UFRJ.<\/p>\n\n\n\n

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Acessar metaverso<\/a><\/div>\n<\/div>\n\n\n\n
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Conclus\u00e3o<\/h2>\n\n\n\n

A utiliza\u00e7\u00e3o de plataforma de disponibiliza\u00e7\u00e3o de conte\u00fados tridimensionais no metaverso atrav\u00e9s do desenvolvimento de espa\u00e7os destinados \u00e0 difus\u00e3o e populariza\u00e7\u00e3o do patrim\u00f4nio cient\u00edfico-cultural vinculado \u00e0s atividades de ensino, pesquisa e extens\u00e3o do Museu Nacional\/UFRJ possibilitou a abertura de novas vertentes de pesquisa e difus\u00e3o cient\u00edfica e art\u00edstica. A escolha da plataforma marcou o in\u00edcio na explora\u00e7\u00e3o do ambiente de Realidade Virtual, esse importante meio de intera\u00e7\u00e3o que, cada vez mais, assume vital relev\u00e2ncia no avan\u00e7o das metodologias de difus\u00e3o da ci\u00eancia e do conhecimento.\nO uso da plataforma Spatial inicialmente atendeu plenamente aos objetivos pretendidos. No entanto, com o passar do tempo, a plataforma implantou uma s\u00e9rie de restri\u00e7\u00f5es que dificultaram, ou mesmo impediram, o acesso a determinados espa\u00e7os. No momento, a equipe estuda formas de contornar essas restri\u00e7\u00f5es ou mover os arquivos para plataformas alternativas que permitam a difus\u00e3o irrestrita dos conte\u00fados. \u2022<\/p>\n\n\n\n

\n\n\n\n

Refer\u00eancias<\/h3>\n\n\n\n

GRILLO, O.N.; LOBO, L.S.; AZEVEDO, S., 2020. LAPID<\/strong>: Using 3D to Recover Heritage Lost in a Fire. Sketchfab Blog. Cultural Heritage \u2013 Science Spotlight, 20 January 2020. Dispon\u00edvel em: https:\/\/sketchfab.com\/blogs\/community\/lapid-using-3d-to-recover-heritage-lost-in-a-fire\/  Acesso em: 24\/04\/2025. <\/p>\n\n\n\n

LOBO, L. S.; GRILLO, O. N. & AZEVEDO, S. A. K., 2021. Morfologia, Pandemia e 3D<\/strong>. Arquivos de Zoologia, 52(2):33-40. <\/p>\n\n\n\n

LOPES, J.; AZEVEDO, S. A.; WERNER Jr., H. &, BRANCAGLION Jr., A. 2019. Seen\/Unseen<\/strong>. RioBooks, Rio de Janeiro, 244p. <\/p>\n\n\n\n

LOPES, J. R. L.; BRANCAGLION Jr., A.; AZEVEDO, S. A. K. & WERNER Jr., H., 2013. Tecnologias 3D<\/strong>: desvendando o passado, modelando o futuro. Editora Lexikon, 248p.<\/p>\n\n\n\n

SHORE, M., 2015. The Curious History of Virtual Reality<\/strong>. AbelCine Tech News. Dispon\u00edvel em:  https:\/\/www.abelcine.com\/articles\/blog-and-knowledge\/tech-news\/the-curious-history-of-virtual-reality Acesso em 24\/04\/2025.<\/p>\n\n\n\n

TUSTAIN, J., 2019. Tudo sobre realidade virtual & Fotografia 360\u00ba<\/strong>. Editora SENAC, S\u00e3o Paulo, 160p.<\/p>\n\n\n\n

VELHO, L., 2022. Metaverse<\/strong>. Technical Report TR-22-03, IMPA\/MCTI. Dispon\u00edvel em: https:\/\/www.visgraf.impa.br\/Data\/RefBib\/PS_PDF\/tr-03-2022\/tr-03-2022.pdf    Acesso em: 24\/04\/2025.<\/p>\n\n\n\n

VELHO, L.; LOPES, J.; AZEVEDO, S.; ALEVATO, B.; RIBEIRO, G.; DUARTE, M. & ARCOVERDE, V. \u2013 Spece XR<\/strong>: Plano de Pesquisa. Technical Report TR-22-01, IMPA\/MCTI. Dispon\u00edvel em: http:\/\/space-xr.com\/wp-content\/uploads\/2022\/01\/tr-01-2022-s.pdf    Acesso em: 24\/04\/2025.<\/p>\n\n\n\n

WERNER Jr., H. & LOPES, J., 2009. Tecnologias 3D<\/strong>: Paleontologia, Arqueologia e Fetologia. Editora Revinter, 202 p. <\/p>","protected":false},"excerpt":{"rendered":"

This text reports on some of the activities developed by the research team of the Laboratory for Digital Image Processing (LAPID) with the aim of disseminating through the metaverse the teaching and research activities developed with the scientific-cultural collection of the National Museum\/UFRJ. 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